Catalog of Artworks

We have been working with Alexey for 25 years and the result is below

Collage

Collage is an image that consists of parts diverse in color and texture. The largest of Alexey Kazachenko's works are created using this technique. Craft, canvas, paper, coloured by the artist himself are the basic materials used to create a collage.
Alexey employs a wealth of methods to create different textures, including tempera, monotype, ink, wax, encaustic painting, crayons and even etching.

Etching

Etching is an image born from the dialogue between plastic and ink. Alexey uses plastic matrices instead of traditional metal, and since they cannot be cleaned after printing, every work is truly one of a kind, existing as a 1/1 or in a maximum edition of 3/3.

After printing, he returns to each piece with watercolour, adding colour by hand with patience, passion, and love, making every etching a singular artwork that carries the unmistakable mark of its maker.

Mixed Media

Mixed Media is an image that refuses a single material truth. Alexey brings together all materials that he has around: oil, monotype, wax, pastel, and whatever inspiration strikes him in that instant. There are no fixed rules, only the freedom to follow an idea wherever it leads.

Flowers, children's toys, still lifes, and ballerinas feel especially alive in this technique, shaped by Alexey's skilled and sensitive hands into something warm, layered, and full of quiet energy.

Drawings

Drawing is an image born from the line. Alexey combines ink, watercolour, and coloured pencils, letting a confident stroke of the pen meet soft veils of colour and the fine, tactile texture of pencil.

His subjects are vivid and varied, each one a small burst of energy: bright scenes, characters, and moments caught with spontaneity and humour. Every drawing stays light and lively, yet carries the precision and sensitivity of a hand that has never stopped observing.

Watercolor, gouache, tempera

Watercolour, Gouache, and Tempera is an image built from light, pigment, and memory. In these water-based techniques Alexey turns to the narrow streets of old Moscow: crooked lanes, courtyards, domes, and weathered façades that seem to hold a century of conversations.

Transparent washes of watercolour meet the velvety density of gouache and the matte, ancient glow of tempera. The result is a city that feels both familiar and dreamlike, painted with a quiet affection for every worn stone and every window lit at dusk.